Critic Choice Film

"Like Portillo's films, this collection provides passionate critical responses that challenge convention on a global level. . . . The text successfully negotiates biography, theory, and production in a manner which enables readers to comprehend Portillo's aesthetic choices."--Alvina E. Quintana, author of Home Girls: Chicana Literary VoicesFilmmaker Lourdes Portillo sees her mission as "channeling the hopes and dreams of a people." Clearly, political commitment has inspired her choice of subjects. With themes ranging from state repression to AIDS, Portillo's films include: Despues del Terremoto, the Oscar-nominated Las Madres: The Mothers of the Plaza de Mayo, La Ofrenda: The Days of the Dead, The Devil Never Sleeps, and Corpus: A Home Movie for Selena. The first study of Portillo and her films, this collection is collaborative and multifaceted in approach, emphasizing aspects of authorial creativity, audience reception, and production processes typically hidden from view. Rosa Linda Fregoso, the volume editor, has organized the book into three parts: interviews (by Fregoso and Kathleen Newman and B. Ruby Rich); critical perspectives (essays by Fregoso, Yvonne Yarbro-Bejarano, Sylvie Thouard, Norma Iglesias, and Barbara McBane); and production materials (screenplays, script notes, storyboards, etc.). This innovative collection provides "inside" information on the challenges of making independent films. By describing the production constraints Portillo has surmounted, Fregoso deepens our appreciation of this gifted filmmaker's life, her struggles, and the evolution of her art.

Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. "Sundance to Sarajevo "is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the "Los Angeles Times, "writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect. Of the festivals profiled in detail, Cannes and Sundance are obvious choices as the biggest, brashest, and most influential of the bunch. The others were selected for their ability to open a window onto a wider, more diverse world and cinema's place in it. Sometimes, as with Sarajevo and Havana, film is a vehicle for understanding the international political community's most vexing dilemmas. Sometimes, as with Burkina Faso's FESPACO and Pordenone's Giornate del Cinema Muto, it's a chance to examine the very nature of the cinematic experience. But always the stories in this book show us that film means more and touches deeper chords than anyone might have expected. No other book explores so many different festivals in such detail or provides a context beyond the merely cinematic.

Critic's Choice Award - The Critics' Choice Awards are bestowed annually by the Broadcast Film Critics Association to honor the finest in cinematic achievement. Nominees are selected by written ballots in a week-long voting period, which ended this year at midnight on December 9, 2005 and were announced on December 11, 2005.

David Robinson (film critic and author) - David Robinson (born 1930) is a British film critic and author. He started writing for Sight and Sound and the Monthly Film Bulletin in the 1950s, and in this era also contributed anonymously to The Times.

David Thomson (film critic) - David Thomson (born 1941 in London, UK) is a noted film critic in the United States and the author of the lauded New Biographical Dictionary of Film.

BFCA Critics' Choice Award for Best Foreign Language Film - The Critics Choise Award for Best Foreign (Language) Film is one of the awards given to people working in the motion picture industry by the Broadcast Film Critics Association.

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